MELBOURNE BLOGBACK: THE COVID CRONICLES

EPISODE EIGHT – THE SECOND WAVE!

 

By Lucy Schmidt

 

There is no I in team. But there is one in community. And that is the take home message of the day. Every decision we make in these times of COVID-19 may affect (or infect) another being with whom we share this earth. This afternoon Metropolitan Melbourne went back into lock down for six weeks. Residents may only leave for work, shopping for essential items, to care for another or to go to the chemist or doctors. Over the last week there have been over three hundred community transmissions of the virus and, as we have seen in other countries, things can quickly get out of hand and soon overwhelm medical capabilities.

 

There is a joke circulating on the socials right now – COVID-19 and Australia are like the Spice Girls. Everyone is doing their best but Victoria is ruining it for everyone. I must disagree with this. Posh was a very important member of the band (and the only Spice Girl with a fashion empire and an OBE from the Queen).

 

 

When we work together on the playback stage, there is an understanding that the team comes first. What is necessary to support the story is always the priority. Unlike other forms of improvisational theatre, Playback sources their narrative exclusively from the audience. So, the crowd have already heard the tale once. As a team, we must mine the emotional truth, search for a fitting metaphor and perform a satisfying interpretation of the teller’s story. Individuals may stand out from time to time for certain characters or a clever shaping of a story.

But we endeavour to deliver a unified performance. Much like we must do in Victoria.

Although the other states are treating us like we have nits because they have all managed to either flatten the curve or eradicate COVID-19 entirely, we must all pull together and ensure that our actions do not compromise the health of others. We must work as a team.

 

Another important parallel between performing playback and fighting a pandemic is that blame is dangerous. If a scene falls flat or an a-symptomatic carrier unwittingly goes to work, accusations only serve to dishearten the team. I have often taught that if a scene is in trouble you must enter to help save it.

It’s hard sometimes from the wings to be brave enough to enter a dying scene with new energy, especially when you have no idea how to save it. But the important thing is that you let your fellow players know that you are here to help.

Likewise, when a scene is going swimmingly, the audience is laughing, or crying and the team is flying without your genius, then let them. Be happy for them. So, let us delve deeply into our compassion, help our fellow Victorians. Wear our masks, help our neighbours, go out our way to keep social distancing, and get tested if we feel any symptoms and isolate if we are diagnosed. This is the only way to get the show back on the road. And speaking of shows, hopefully we will all be able to perform and watch theatre in all its live glory soon.

 

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